![]() ![]() This video doesn't cover TTL with Profoto or Godox's strobes. Same with HS mode btw, but it becomes warmer instead of colder.Īnyway, my 2 cents. With the B1 it's basically out the window, with the Siros the temperature cools down, but stays consistent there. I remember when I was on the fence between getting into Profoto or Bron, one of the major swing factors was colour consistency in speed/freeze mode (because I shoot a lot of sports). I did know Profoto loses colour consistency with HSS, as well as "freeze" mode, but didn't know TTL caused the same issue. These are not lab quality tests so expect the error bars to be quite large. Forget colour consistency if you're using HSS or TTL. ![]() The B1X is a bit worse than you would expect. They are broadly the same as Hall's results but he does have some HSS and TTL tests. ![]() To save you 19 minutes here's as set of tests that a Chinese group who (as far as I can tell by looking at their web site and using google translate) have no commercial interests with any of the vendors. He mostly talks about Godox kit so I think he has some sort of relationship with Adorama. In the end, I was really happy with how all the pieces of the shoot came together.Before I spend 19 minutes watching it, is he sponsored by or an ambassador for any of those companies or their distributors? By using a hazer, I didn’t need a fill light since they do a great job of filling in shadows. For other shots, I used the 5’ Octabank pointed at the subject. For some of the shots, I had a beauty dish bouncing off a ceiling and wall to get really soft and even light to fill the room. For the key light, I tried two different approaches. If you’ve read any of my other blog posts, you’ll see a pattern that I like to use this rim light setup to create an artificial sunlight. For my rim light, I used a Siros S head with a P 65 modifier and CTO. For lighting, I wanted to have a warm and hazy vibe to give an atmospheric effect to the shoot. It helped create a more analog and imperfect look to the shoot. I collaborated with stylist Let’s Get Flashy and make up artist Emilia Adamkiewicz and Dan Newman helped assist.įor some of the photographs, I put Vaseline on a piece of plexi glass and held it in front of the lens. I decided to build a couple different sets in my home using an existing brick wall and some vintage furniture & pieces I already owned. With her beautiful afro, I felt compelled to do a vintage inspired shoot. Hill and I started to concept ideas to shoot with her. A friend of mine recently connected me to the model Chavi St. I’ve been shooting frequently in the studio these past few months so for my most recent personal shoot, I wanted to switch things up and do an environmental shoot. ![]()
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